Contributors : Richard Sennett, Catherine Hall, A. This thought-provoking and unusual collection will delight a wide variety of readers. The authors represent fields as diverse as psychoanalysis, creative writing, neuroscience, social history, and medicine but explore concepts beyond their areas of notoriety, providing textured, complete, and sometimes personal views of the meaning of memory. Memory exposes the falseness of such a dichotomy by illustrating the insights into memory that can be gained by juxtaposing the complementary perspectives of specialists venturing past the normal boundaries of their disciplines. Many would expect scientists to be concerned with studying only the mental and physical processes involved in remembering and humanities scholars to be interested in only the products of memory, such as literature, art, and music. The collection of eight essays, representing some of the most engaging contemporary voices in the arts and sciences, takes a unique interdisciplinary approach to address the relationships between individual experience and collective memory. This fascinating volume explores some of the many ways that individuals and societies remember, forget, and commemorate events of the past. The concept of memory has long intrigued scientists, philosophers, and scholars alike. Memory is both a private, personal phenomenon and a collective interpretation of history by society.
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